london

Photographers Diary: Architecture 03 by Alex Upton

Architecture and a Sense of Scale

Below are a selection of photographs I shot over the past few months which aim convey a sense of architectural scale between building and individual. In some instances there is a genuine attempt to express the relationship between the two, while in others i have endeavoured to exaggerated the scale through various approaches to framing the subject and building, hinting at a different interpretation entirely. The individuals depicted are mostly isolated from the default hustle and bustle of their busy locations, with the intention to permit the viewer to interpret their thoughts and imagine their journeys against these architectural backdrops.

Royal National Theatre - South Bank, London Photography: Copyright © Alex Upton

Royal National Theatre - South Bank, London Photography: Copyright © Alex Upton

Royal National Theatre

Architect Denys Lasdun's National theater on South Bank is an impressive Brutalist mass of concrete. It is wonderful to photograph on a sunny day when its sharp, angular form casts deep, dynamic shadows over its surface. Trying to isolate a subject in this busy area is no easy feat. Fortunately, after a protracted, impatient wait I was rewarded by this lone passerby, who can be seen dragging his reluctant, outstretched shadow along with him as he goes about is business. The additional shadow of a bird in flight also momentarily graces the Theaters facade.

Tate Modern, The Blavatnik Building - London. Photography: Copyright © Alex Upton

Tate Modern, The Blavatnik Building - London. Photography: Copyright © Alex Upton

The Blavatnik Building

At the point where the old and new brick of the Tate Modern meet in a distinct yet reverent embrace, a rear entrance can be found over-scored by a panel of bright orange announcing 'welcome'! Having visited the gallery a number of times I already have a fair number of photographs piled up on my hard-drive awaiting a distant day of editing. On this occasion the artist collective SUPERFLEX had installed a complex structure of grey and orange painted steel frames, bearing fruit in the form of countless swings. In this photograph i was lucky to capture an appropriately orange clad visitor entering the building just at the decisive moment.

V&A Extension, London. Photography: Copyright © Alex Upton

V&A Extension, London. Photography: Copyright © Alex Upton

V&A Museum Exhibition Road Quarter

As if the Victoria & Albert Museum didn't already have enough space to display their many wares, they commissioned British, Stirling Prize-winning, architect Amanda Levete to openup the ground beneath the existing building and insert a new gallery space to accommodate their headline exhibitions. I happened to be working on a job close by at Imperial Collage London and decided to pop into the new cafe and take a look around. The sun was almost, but not quite, in the perfect position as i came out and with no time to spare I captured the above image of an lone visitor, more engrossed in his phone display than the monumental architecture surrounding him.

Seven Pancras Square - King's Cross, London Photography: Copyright © Alex Upton

Seven Pancras Square - King's Cross, London Photography: Copyright © Alex Upton

Seven Pancras Square

Exiting the rear of St. Pancras Station you are confronted by Studio Downie Architects new build office which wraps around the existing Grade II Listed Stanley Building. In this busy vicinity it's low, tapering wall plays the presumably unintended role of a perch for those recuperating after a long and most likely delayed journey, or for workers looking for a momentary escape. Isolating the individuals and building like this adds a sense of wonder and intrigue directed at both the building, location and human subjects.

 Library of Birmingham. Photography: Copyright © Alex Upton

 Library of Birmingham. Photography: Copyright © Alex Upton

The Library of Birmingham

While photographing another project in Birmingham's Arena Central development area i felt compelled to take advantage of a rare cloudless, blue sky. Out on the decks of Mecanoo Architect's new Library of Birmingham were a number of sightseers, gazing and pointing, no doubt at the vast up-earthed portions of the city which are undergoing a massive phase of regeneration. Isolated like this the building appears to my eyes an enormous vessel in flight, the passengers in awe as they make their voyage to unknown territories. 

Canaletto by UNStudio by Alex Upton

Canaletto 259 City Road - Photography: Copyright © Alex Upton

Development: Canaletto 259 City Road
Architects: UNStudio
Location: City Road, Islington, London
Height: 90m (31fl)

Canaletto 259 City Road - Photography: Copyright © Alex Upton

Canaletto is a residential tower designed by Dutch architect Ben van Berkel of UNStudio. The building is located at 259 City Road which borders on Islington, The City, Shoreditch and Clerkenwell. Construction is still on going with most of the work now taking place at the base of the tower where the concierge area is being fitted out, these architectural photographs capture Canaletto's current progress.

Canaletto 259 City Road - Photography: Copyright © Alex Upton

Returning from a trip to the recently opened Yayoi Kusama exhibition at the Victoria Miro Gallery - which for prospective residents is conveniently located a minuets walk from the Canaletto building along with a McDonald's Drive Thru, a real melting pot of high and low brow culture - i happened to chance upon these beautiful cloud formations passing over the tower. These photographs of Canaletto are the result of me trying to recalibrate my senses after being dazzled by Kusama's infinity mirror installations, which by the way are well worth a visit. 

Canaletto 259 City Road - Photography: Copyright © Alex Upton

The lucky residents of this tower will have access to a wide range of facilities including what will be a stylish restaurant, private screening room, swimming pool and gymnasium and a 24th floor private club and sky terrace. The innovative design by UNStudio incorporates balconies into the linear and somewhat bulbous chrome clad panels that wrap around the buildings façade, which according to the architects create 'sustainability benefits achieved through surface modelling, with opportunities for shading, balancing good internal daylight and views with reduced heat gains'. Along with their sustainable credentials these panels produce some beautiful forms which for and architectural photographer offer endless opportunities for new and exciting compositions.

Canaletto 259 City Road - Photography: Copyright © Alex Upton

Canaletto is located in an area which is currently seeing a lot of developments start to rise, with Foster and Partners 250 City Road residential apartments just beginning to break ground over the road and the adjacent Lexicon building also nearing completion - for which a photograph update will follow shortly. 

Canaletto 259 City Road - Photography: Copyright © Alex Upton

Construction Update: Riverwalk by Alex Upton

Riverwalk - London - Photography: Copyright © Alex Upton


Development: Riverwalk Residencies
Architect: Stanton Williams
Location: Pimlico, Westminster, London
Height: (17fl)

These architectural photographs show the current progress at the Riverwalk development situated on the Thames River Bank near Vauxhall Bridge. The exterior is almost complete with the stone cladding looking to be of a very high quality. There is still ongoing landscaping at the base of the tower with the extension of the river walk way being continued up to the bridge. A sculpture - obligatory to all new luxury developments - by Peter Randall-Page is still concealed in protective wrapping somewhere near the base of the building which will join Henry Moore's sculpture 'Locking Piece' later this year. Here is a description of the artwork curtsy of the developers website.

'Peter Randall-Page’s ‘Shapes in the Clouds’ will be installed in the landscaped area around Riverwalk and explores how the sensual and organic can emerge from the formal and geometric. In this version of a dodecahedron carved out of Rosso Luana marble, in which the heavy figuring is reminiscent of solidifying cloud, the Dartmoor-based artist has combined geometric order with geological chaos to produce something both visceral and sensual. Peter often describes it as breathing life into dumb matter.'